Joel Meyerowitz is an award-winning photographer whose work has appeared in over 350 exhibitions in museums and galleries around the world. He was born in New York in 1938. He began photographing in 1962. He is a gstreet photographerh in the tradition of Henri Cartier-Bresson and Robert Frank, although he works exclusively in color. As an early advocate of color photography (mid-60fs), Meyerowitz was instrumental in changing the attitude toward the use of color photography from one of resistance to nearly universal acceptance. His first book, Cape Light, is considered a classic work of color photography and has sold more than 100,000 copies during its 25-year life. He is the author of 15 other books, including Aftermath: The World Trade Center Archive, Bystander: The History of Street Photography, and Tuscany: Inside the Light.
In 1998 he produced and directed his first film, POP, an intimate diary of a three-week road trip he made with his son, Sasha, and his father, Hy. This odyssey has as its central character an unpredictable, street-wise and witty 87 year-old with a failing memory. It is both an open-eyed look at aging and a meditation on the significance of memory.
Within a few days of the 9/11 attacks on the World Trade Center in New York, Meyerowitz began to create an archive of the destruction and recovery at Ground Zero and the immediate neighborhood. The World Trade Center Archive consists of over 8,000 images, and was created with the sponsorship of the Museum of the City of New York, to whom a set of digital files was donated for their archives and for exhibition. The Archive is an historic, photographic record of the immediate aftermath of the tragedy and the neighborhood as it evolved. The U.S. Department of State mounted 35 exhibitions of this work and they were shown around the globe from their inauguration by Colin Powell in Spring 2002 until 2005. Over 4 million people have seen these shows from Jerusalem to Islamabad, Rome, Paris, London, Kuwait, Moscow, Istanbul, and 200 other cities.
In addition to the traveling shows, Meyerowitz was invited to represent the United States at the 8th Venice Biennale for Architecture in 2002 with his photographs from the World Trade Center Archives. In September 2002, he exhibited 73 images - some as large as 22 feet - in lower Manhattan. The show that was exhibited in Venice is currently touring the United States.
Meyerowitz has recently created a new traveling exhibition of 117 vintage and modern prints entitled gOut of the Ordinary 1970-1980,h which premiered at the Jeu de paume in Paris, France. It has been exhibited at the Museum der Modern in Salzburg, Austria, and will be shown at the Nederlands Fotomuseum in Rotterdam, the Netherlands in September 2007. A retrospective book spanning Meyerowitzfs entire 45-year career will be published by Phaidon Press in the Fall of 2008.
Meyerowitz is also currently undertaking the ambitious project of documenting and creating an archive of New York Cityfs 29,000 acres of parkland. It is the first long term visual documentation of NYC parks since the 1930fs when they were photographed as part of Franklin Rooseveltfs WPA program. Adrian Benepe, Commissioner of Parks and Recreation, has invited Meyerowitz to produce a comprehensive database for future use by the Parks department and to share these images of the parks with communities in all 5 boroughs. A museum exhibition, a book, and a series of smaller, traveling exhibitions will constitute a visual essay on the inter-relationship of New Yorkfs natural areas with the extreme urban environment of New York City.
Meyerowitz is a two time Guggenheim fellow, a recipient of both the NEA and NEH awards, as well as a recipient of the Deutscher Fotobuchpreis. His work is in the collection of the Museum of Modern Art, the Boston Museum of Fine Art and many others.